The Best Microphones for Vocals

A newbie in the world of microphone will not find it easy to understand the different types of microphones used for different purposes. There are many kinds of microphones used in music production – live and recording and each type of mic is used for a purpose. One of the most well-known mics in the recording studios is the Shure sm7b that is most suitable mic for voice recording. If you come around a review, Shure sm7b review reveals it all. This mic is regarded high in the professional audio world. But there is one more mic that has caught the attention. If you are looking for options to find a best microphone for recording [reviewed HERE], then then you might as well consider PRO heil pr40. Here is a small review on both these microphones to help you with the choice.

Shure sm7b

Whether it is a recording studio, home or pro, the sm7b is one of the best in its category. It is a dynamic microphone and has a cardioid pattern. Because of this pattern, it picks up the sounds it points to and excludes the sounds from sides and back.

Frequency Response: The sound picked up by the phone is extremely crisp and clear. This is due to the rolloff and presence boost set at the back end of the microphone.

Sound Pressure Level: The SM7B has the ability to handle even the loudest of the sounds with much clarity. It can take up to 180dB, which theoretically means that it can record even those sounds that your ears can’t hear.

There is no doubt that Shure SM7B is an efficient mic. Preferred by the radio and TV stations, this equipment rejects the unnecessary interference produced by monitors and other electrical devices. Many home studios prefer this microphone as they record music in rooms that have computers and a lot of electrical appliances which cause unwanted hums.

PRO Heil pr40

This dynamic phone is particularly designed for vocals, broadcast and instruments, both for studio and live performance. In addition to the characteristics of all Heil’s designs of retaining the midrange articulation, the company has introduced a deeper low-end response in this mic.

Frequency Response: The Frequency range is quite extra-ordinary (28Hz to 18kHz). Even at very high SPLs, the mic manages to sound very natural on voice and for other instruments. The frequency response is flat between upper and lower rolloff points, there’s a hint of bump from 3-5kHz.

As it has a solid bass response, the mic works well for bass guitars and electric guitars. As the high end extends to 18kHz, it’s great for acoustic guitars.

Both these mics are certainly not cheap mics but when compared to the other mics in the same category, some of the other mics are even more costlier. But when there is a rating for the best dynamic mics, both in versatility and tonality, there is no doubt that these two mics stands above the rest. If you want a best microphone for vocals and singers too, then choose between these two.